Category: DOORM

  • Oriental Health Aesthetics: The Time of Professor Qiu Zhenglun\’s Explanation of the Book of Changes(3)

    Is there any connection between the genesis of Chinese characters and the Book of Changes? Absolutely. As for the precise nature of this connection, it is not something that can be clarified in a few words. Our culture is so vast, with the Chinese civilization spanning five thousand years. Yet, are these five millennia merely…

  • 东方养生美学:邱正伦教授《易经》时刻(3)

    汉字的产生和《易经》有无关系?肯定有。至于其具体关联方式,则非三言两语所能厘清。我们的文化如此浩瀚,中华民族文化上下五千年,难道这个五千年真的是数学意义上的时间吗?不是,是中华民族的集体无意识所致,只要谈到我们的文化,只要谈到我们华族的文化,只要这样一说我们就有了底气,我们的文化就有了根源。借用朱熹的一句话,“问渠哪得清如许,为有源头活水来”。为什么会这样说?那就是,探讨汉字的根源和探讨《易经》的审美根源是合一的。中国文化从表达方式来看,最具有中华民族特征的,就是书法。但是今天,我们居然把它做成了什么?只是单纯的五大书体。这究竟是尊重我们的传统文化?还是固步自封?这值得我们思考。中华民族五千年的文化,之所以没有断裂,靠什么维系?靠的是文字,即汉字。汉字不灭,中华民族文化就不会熄灭。所以一部中华文化史,实际上是一部汉字不断书写不断超越的历史。和我们《易经》又有什么关系呢? [Float-Menu id=”1″]

  • Oriental Health Aesthetics: The Time of Professor Qiu Zhenglun\’s Explanation of the Book of Changes(2-2)

    The core lies in the Bagua. What are the Eight Trigrams? They are Qian (Heaven) and Kun (Earth). Qian symbolizes the Father, Kun symbolizes the Mother. Qian and Kun give birth to the Six Children: Three Masculine Trigrams and Three Feminine Trigrams. The Three Masculine Trigrams are: Zhen (Thunder, Eldest Son) Kan (Water, Middle Son)…

  • Oriental Health Aesthetics: The Time of Professor Qiu Zhenglun\’s Explanation of the Book of Changes(1-1)

    Now, let’s discuss the aesthetics of the Book of Changes. Many people approach this topic with trepidation. One perspective elevates it to profound and inscrutable heights, while another dismisses it as utterly worthless. The Book of Changes originates from a fundamental diagram—the Taiji symbol. The expansion of the Taiji symbol gives rise to the Bagua. The…

  • 东方养生美学之邱正伦教授《易经》时刻(二)

    八卦有哪八卦?乾卦、坤卦。乾为父,坤为母。 乾坤生六子:三个男卦和三个女卦。 三个男卦是:震卦(雷卦,长男)、坎卦(水卦,中男)、艮卦(山卦,少男)。 三个女卦是:巽卦(风卦,长女)、离卦(火卦,中女)、兑卦(泽卦,少女)。 这八种卦象,都是自然界当中存在的。八卦的创制,关键在于“一画开天地”——就来源于那最初的一画。这一画如同我们今天书法中的一笔,这一笔非常了不起,它象征着开天辟地,与盘古开天地的道理相通。可以说,整个汉字乃至文明的产生,都蕴含在这“一画开天地”之中。 [Float-Menu id=”1″]

  • 东方养生美学之邱正伦教授《易经》时刻(一)

    现在我们来谈《易经》美学,很多人不敢触摸这一块,一种观点是将其做得高深莫测,另一种则是将其说得一无是处。 《易经》源于一个图示——太极图。太极图延展开来就是八卦,八卦又分为先天八卦和后天八卦。先天八卦由伏羲所创。 有趣的是,我们今天说一个人“闹八卦消息”,意味着传播不可信的信息,甚至等同于谣言。如果伏羲知道“八卦”一词会带来这样的文化后果,他肯定就不制八卦图了。当人们说“八卦八卦”,似乎就代表着可以随意谈论不可靠的消息。一句“谁在八卦谁?”,瞬间就将对方置于说话不靠谱、不可信的境地,如同谈论道听途说的马路消息。 但如果真是这样,我们来谈《易经》美学是否可行?从美学角度探索《易经》当然是有的,尽管这方面的探讨确实不多。那么何为《易经》?《易经》是群经之首,至少也是六经(《诗》、《书》、《礼》、《易》、《乐》、《春秋》)之首。我们如何把握? [Float-Menu id=”1″]

  • “On Abolishing Medicine” — Reflections on “Herbs Cannot Be Completely Discarded”(5)

    Earlier, I shared an article titled “Is Medicine Still the Same Medicine?” on the Nailong Laboratory public account, which discussed Mr. Yu Yue’s statement “medicine can be abolished, but herbs cannot be completely discarded,” focusing on the impact of ancient environments on the cultivation of traditional Chinese medicinal herbs. [Float-Menu id=”1″]

  • 《废医论》——对“药不可尽废”的思索(5)

    前期,我在“鼐龙实验室”公众号跟大家分享过一篇“《废医论》——药还是原来的药吗”,其中就提到了“医可废,药不可尽废”这一句俞樾老先生当年提出的话,主要谈及古时的环境对中药药物种植的影响。 [Float-Menu id=”1″]

  • “On Abolishing Medicine” — Reflections on “Herbs Cannot Be Completely Discarded”(4)

    In modern times, many medical institutions have mentioned the application of ancient formulas in clinical practice, even extensively using the term “ancient formulas” to diagnose and treat diseases. [Float-Menu id=”1″]

  • “On Abolishing Medicine” — Reflections on “Herbs Cannot Be Completely Discarded”(3)

    There are 120 types of upper medicines, which are the sovereign medicines, primarily for nourishing life in accordance with heaven, non-toxic for long-term use, and not harmful to the body; 120 types of middle medicines, which are the ministerial medicines, mainly for nourishing nature in accordance with humanity, which can be either non-toxic or toxic,…