Category: DOORM

  • “oil droplets in vinegar”

    The nucleolus was observed by microscopists as early as the 1830s, but its function remained unclear for a long time. In the 1890s, scientists discovered more nucleolus-like spots in cells that appeared and disappeared, changing shape like “oil droplets in vinegar.” Their dynamic characteristics bear a striking resemblance to the phenomenon of the gathering and…

  • “醋中油滴”

    核仁早在19世纪30年代已被显微镜学家观察到,但其功能长期不明。19世纪90年代,科学家在细胞中发现更多类似核仁的斑点,它们时聚时散,形态变化如同“醋中油滴”,其动态特征与中医理论中“阴阳”二气的聚散现象颇为相似。 [Float-Menu id=”1″]

  • ribosomes

    Biomolecular condensates, unlike the “Bose-Einstein condensate” in physics, are an emerging concept in biology. A review of middle school biology reveals that cell structures include the cell membrane and various organelles, with the formation of organelles previously thought to be the function of ribosomes. However, the origin of ribosomes has long been a mystery. It…

  • 核糖体

    生物分子凝聚体,不同于物理学中的“玻色-爱因斯坦凝聚态”,是生物学中一个新兴概念。回顾初中生物学知识可知,细胞结构包含细胞膜和各种细胞器,而细胞器的生成曾被认为是核糖体的功能。然而,核糖体本身的来源则是一个长期未解之谜。直至2009年前后,科学界才明确提出:核糖体是由细胞核内的“核仁”组装而成。 [Float-Menu id=”1″]

  • “biomolecular condensates”

    Recent research in the field of cell biology regarding “biomolecular condensates” may provide new scientific explanations for the traditional Chinese medicine concepts of “Yin and Yang” and “Qi.” This discovery could not only reshape our understanding of the mechanisms of life but also resonate with ancient ideas such as “the source and flow of Qi.”…

  • “生物分子凝聚体”

    近期细胞生物学领域关于“生物分子凝聚体”的研究,或许正从科学层面为中医传统的“阴阳”与“炁”理论提供新的解释可能。这一发现不仅可能重塑我们对生命机制的理解,甚至与“炁體源流”等古老观念形成某种呼应。 [Float-Menu id=”1″]

  • Oriental Health Aesthetics: The Time of Professor Qiu Zhenglun\’s Explanation of the Book of Changes(103)

    Look, when we observe the way of heaven and earth in their entirety, the transformations of the universe are vast and profound—so awe-inspiring that they could move heaven and earth and make gods and ghosts weep. This is an aspect we won’t delve too deeply into here. Within the beauty of imagery, there is also…

  • 东方养生美学:邱正伦教授《易经》时刻(103)

    你看,弥观天地之道,泛为天地之化,惊天地泣鬼神的,就是这一块我们就不多讲。意象之美当中的立象义尽意与境意的美学影响,这里边也有这么一些,你看,将北与艺术同同象结合起来而成的意象,这个在中国俯拾皆是,尤其是唐诗宋词,中国人讲话就是意象,他的意象世界,你看马致远的天净沙,是吧,“枯藤老树昏鸦,小桥流水人家,夕阳西下,断肠人在天涯。”是吧,全部是意象拼叠,这个你只要翻译成外语,翻译成英文,翻译成拼音文字,它的美感就消失了,那诗就变成认知世界了,就没有意义了。好,这个由意象到意境,在天成象,在地成形,方能有境。这是我的理解哈,你看,境界境界,两个字都是边界,但放在一起就没有边界了,就无限可能性。易经最高的境界,与天地合其德,与日月合其明,与四时合其序。这个我准备本来省略了,就是讲易经的文化之美,这里面,这个就是他文化这一块,与天地合其德,与日月合其明,与四时合其序。你把这一块你转移到我们内在世界,我们的心灵世界,我们的意识世界,我们的情感世界,我们的书写世界,我觉得就会出现一个崭新的世界,是吧。哪些都是意象?俯拾皆是。所有的卦辞,每一个卦辞表现出来都是意象。你看我们随便举,飞龙在天,见龙在田,潜龙无用,亢龙有悔,或跃或渊,终日乾乾,全是意象呈现。 [Float-Menu id=”1″]

  • Oriental Health Aesthetics: The Time of Professor Qiu Zhenglun\’s Explanation of the Book of Changes(102)

    Arriving at this independent exhibition hall dedicated to Van Gogh, you would not make noise before his paintings. Before his works, I lose my voice because all the sounds are directly conveyed from his paintings to my inner self. There, you can only receive the energy he imparts from within. His paintings silence you before…

  • 东方养生美学:邱正伦教授《易经》时刻(102)

    到了梵高这个独立的展厅,你在他的画面前,不会喧哗,我在他的画面前就失去了声音,因为所有的声音都是他画面里面直接向着我内心传达,你在那就只能接受他从内在给你的能量,他的绘画就会让你在他的画面前沉默,他确确实实是这样,而且他的画幅都不大,但是他那种,他真是用生命在创作,用生命在画画,他的那些笔触线条你还不能简单的打比喻,你看这个星空就是整个星空,整个宇宙都是,它落满了这一棵老柏树,落满了后面的教堂,落满了整个大地,你会感受到是这种,实际上这幅画就是渴求被拯救。你看,这棵老柏树,它已经处在就是缺少,所以后面的教堂就是缺少,渴望被拯救,生命遭遇到巨大的被拯救的这种现实。那么,还有第四个,就是哲学之意与科学实证的关系,就是与信仰、愿望、想象、体验相关的不可尽,就是知识的层面、经验的层面、技术的层面都是可尽的,但是审美的层面,信仰的层面,体验的层层面,都是不可尽的。所以审美是一个取之不尽、用之不竭的世界,没有谁可以终结艺术世界,即便是照相机发明之后,这么多年,你看现在照相机的像素达到多高了,绘画、写字类用像素来比,能够比照相机吗?无法比,但是一方面是照片,照相,另一方面,是艺术,这个是不能够简单的相比的。第二个就是像可尽意的意,这个符号学图像学里面的,我们易经就是符号学的大全,而且是东方符号学里面非常具有生命符号的符号。 [Float-Menu id=”1″]